

This has only been seen in a few blockbusters such as Adrian Lyne’s 1987 classic ‘Fatal Attraction’ starring Glenn Close and Robert Reiner’s 1990 thriller ‘Misery’ starring Kathy Bates.
We also kept to the generic codes and conventions of a psychological thriller by keeping the identity of our main character Megan somewhat of a secret until 2 minutes into the film. At the beginning of the film we often had shots that cut off some of Megan's head or only showed her in a profile position. This mystery kept the audience in suspense, as did the use of extreme close ups when Megan was packing the duffel bag. This left the audience wondering why she was packing the certain items and what she was planning on doing with them. This suspense was kept throughout the entire film in the hopes of the ending being a surprise to the audience.
We also kept to the generic codes and conventions of a psychological thriller by keeping the identity of our main character Megan somewhat of a secret until 2 minutes into the film. At the beginning of the film we often had shots that cut off some of Megan's head or only showed her in a profile position. This mystery kept the audience in suspense, as did the use of extreme close ups when Megan was packing the duffel bag. This left the audience wondering why she was packing the certain items and what she was planning on doing with them. This suspense was kept throughout the entire film in the hopes of the ending being a surprise to the audience.
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